Zine scene defies death by digital

 

My piece in the Sunday Age

My piece in the Sunday Age

Zines are low-cost, low-fi, handcrafted and independent print publications. I recently wrote a piece for The Age, a Melbourne newspaper, about how zines are bucking the trend of death by digital. In this piece, I focused on the Melbourne zine scene. I looked at why people are attracted to making and buying zines, and why institutions such as libraries are collecting these ephemeral publications.

Read the whole article here.

Seattle: conference wrap

‘Libraries make everything better,’ according to Joe Janes (@joejanes) the editor of the book Library 2020. Janes delivered the closing session of the AALL 2013 conference. In Janes’ book, he asked a number of contributors to write essays starting with the line ‘The Library in 2020 will be…’. Janes’ presentation summarised the divergent views expressed in these essays, organised around the themes of stuff, place, people, community, leadership and vision. Some of these views are optimistic, while others paint a bleaker picture of the future for libraries.

Janes’ view is that the library of 2020 will be characterised by the things librarians uniquely bring such as service orientation, organisation, literacy, quality, depth, authority and detail. He believes that successful libraries will serve niches and that their focus will move away from giving access and acting as middlemen, since middlemen are increasingly redundant. Just look at travel agents and record store owners as examples.

Janes’ session was a perfect way to close the conference. He was very entertaining and his ideas were provocative. Janes concluded by asking the audience to reflect on their own libraries and where they want them to be in 2020.

Another session I enjoyed over the last few days was a presentation on integrating iPads into an academic library at Duke Law. The presenters focused on reference services, classroom teaching and library services. Their papers are online.

Steve Hughes (@stevehughes) ran a session on giving great presentations where he focused on opening your session powerfully, tips for good presentations, making your session interactive, and being confident through body language and eye contact with the audience. Hughes was a engaging and funny presenter, and made the session interesting, practical and fun. The tips I found most useful were ideas for having an intriguing introduction to your presentation, and making the most of people’s natural curiosity to get them engaged, energised and interacting with you during presentations.

A panel discussion on ebooks raised more questions than resolutions. What I found most interesting was that American libraries are struggling with ebook lending, licensing and formats just as much as Australian libraries. Libraries and publishers alike have a long way to go to resolve a workable model for ebooks. I think ebooks will go the way of CD-Roms and be replaced by more sophisticated digital formats.

But conferences aren’t all about sessions, there’s also the social side of things…

Last night was the ‘Member Appreciation Event’, a big conference party. The event was hosted at the incredible Experience Music Project, a music museum. Food, drinks, music and the museum’s exhibitions made for a great party. My favourite exhibitions were the Nirvana and Women Who Rock ones.

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After the party, we discovered the fabled publisher hospitality suites in the conference hotel. A tip for anyone attending this conference in the future, find the hospitality suites. The big legal publishers rent out suites and provide fully stocked bars for delegates every night of the conference, open into the wee hours of the morning. No wonder they charge so much for subscriptions.

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The conference is over now and I am a little sad. My new found American library friends are headed back to their home towns across the country and now I’m solo in Seattle. But my library business is not over yet. Next up, a tour of the Seattle public library, and a meeting with one of the directors there. Stay tuned.

triple j’s Hottest 100: where were the women?

Polly Jean Harvey

Polly Jean Harvey

Over the weekend, the ABC’s youth broadcaster triple j played the top 100 songs from the past 20 years of its ‘Hottest 100‘ series, as voted by its listeners via a recent poll.

‘Best of’ lists are by their nature subjective, and will leave some listeners unsatisfied, even outraged. The results of this poll whipped up plenty of passionate debate about the merits of the songs that were included, while disappointed fans took to social media to lament the omission of their favourite tunes and artists. Complaining, debating and celebrating the song choices are all part of the fun of these polls.

During the conversation over the weekend, and as the songs progressively counted down from 100 to one, fans also started calling out a glaring gap in the poll. There were virtually no female artists. Apart from the addition of rare solo artists, including Lana Del Rey and M.I.A., and the occasional band with a female lead such as The Cranberries and Florence + the Machine, women’s voices were noticeably quiet.

The triple j website reports that there were only five songs sung by female leads and fourteen songs played by female musos. That is a total of 19 tracks out of 100 that featured women over the past 20 years of music.

You don’t have to try too hard to name women who have shaped and influenced music over the past two decades. Polly Jean Harvey is a prolific, lauded and much awarded singer, songwriter and multi-instrumentalist. Harvey has released eight studio albums and collaborated with singers such as Nick Cave, Bob Dylan and Thom Yorke. Her accolades include being the only artist (male or female) to win two Mercury Prize awards, and two of her albums are included in the Rolling Stone 500 Greatest Albums of All Time list.

Looking closer to home, multiple ARIA award winner Sarah Blasko has also had an impressive musical career. With three studio albums going Platinum, and her Seeker Lover Keeper collaboration with Holly Throsby and Sally Seltman going Gold, Blasko has also contributed to soundtracks and tribute albums, toured extensively, and in 2009 received the J Award for Australian Album of the Year.

These two women have been widely recognised by their peers and the music industry, yet they failed to make the cut in the Hottest 100. They can count themselves among a roll-call of other high profile female artists and female fronted bands who didn’t resonate with voters including Bjork, Amy Winehouse, Martha Wainwright, Missy Elliot, Hole, Feist, Garbage, No Doubt, Luscious Jackson, L7, Veruca Salt, Magic Dirt, The Breeders, Tori Amos, Clare Bowditch, KD Lang, The Waifs, Catpower, The Gossip and the Yeah Yeah Yeahs, to name just a few.

Why were these women and others so noticeably absent from the list? Close to a million votes were cast in the poll. Without statistics on the gender of voters we can only assume that both male and female voters shunned female artists. Why is it that women who are recognised through awards, accolades and high sales volumes aren’t vote winners with the public? It is hardly a celebration of the past 20 years of music without women’s voices, women’s riff-playing and women’s drum-pounding.

How can we ensure women musicians are represented and heard? We have the Stella Prize promoting women writers in Australia and the Forbes Most Powerful Women List celebrating women in business, society and politics. Maybe we need to take a similar approach with an all-female music poll.

Let’s ask voters for their favourite songs of the past 20 years as sung by female solo artists, all-girl groups, or bands with female leads. Let’s pay tribute to their talent and their important contribution to the soundtrack of the past two decades. Of course, this idea will raise concerns about ghettoising female artists in the same way the Stella Prize is criticised in relation to sidelining women writers. But at least it would allow for female musicians to be heard over the din of their male counterparts.

This article originally appeared in Women’s Agenda

The songs that saved my life: twenty years of the Hottest 100

Music has been a constant in my life. From the scratchy Billie Holiday vinyl my mother used to play when I was a kid, to digging in crates of second-hand stores for rare 12″ records, to dancing around the lounge room these days with my own kids to the latest Of Monsters and Men YouTube clip, music has always been present.

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Music has been a distraction, a saviour, a companion and a connector. As a teenager, music was a bright patina against the grey matte of the outer western suburbs of Sydney where I grew up. Music was hope. It was a journey of discovery.

Retracing the past twenty years of music through voting in the Triple J Hottest 100 has meant rediscovering the tracks that form the soundtrack to my life. It has recalled my biggest milestones, wildest celebrations, happiest memories and my lowest lows.

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The soundtrack marks exactly half of my life, from age twenty to turning forty next week (eeek!). Is it really twenty years since Radiohead released Creep, and REM released Everybody Hurts? Yes. In the meantime, I have experienced love found and lost, death, birth, disappointment, elation, sadness and joy. I have become an adult, a parent, and a (mostly) sensible person.

How to whittle down twenty years of music and memory to only twenty favourite tracks? I settled on a few criteria to guide my choices. No two tracks by the same artist. Tracks that blew my mind when I first heard them. Tracks that had high-rotation when I bought them. Tracks that stand the test of time? Maybe not, but they resonate a particular time and memory for me.

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There are many tracks and artists who I absolutely love. I feel I have betrayed them in not including them in the final cut. In the words of Morrissey (Rubber Ring):

“But don’t forget the songs
That made you cry
And the songs that saved your life
Yes, you’re older now
And you’re a clever swine
But they were the only ones who ever stood by you”

And so here is my list of my favourite songs from the last twenty years, in no particular order. Apologies to the forgotten songs that saved my life.

– Missy Elliott – Work It
– PJ Harvey – Down by the Water
– The White Stripes – Seven Nation Army
– OutKast – Hey Ya!
– Gorillaz – Clint Eastwood
– The Breeders – Cannonball
– Bjork – Human Behaviour
– Radiohead – Karma Police
– Beastie Boys – Sabotage
– Tori Amos – Cornflake Girl
– Tricky – Black Steel
– Blur – Tender
– Yeah Yeah Yeahs – Zero
– Massive Attack – Protection
– Arctic Monkeys – Cornerstone
– Nirvana – Heart-Shaped Box
– The Presets – My People
– Chemical Brothers – Block Rockin’ Beats
– Grizzly Bear – Two Weeks
– Beck – Devils Haircut

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